Phenomenology is treated ambiguously in McLuhanâs posthumous Laws of Media, which was edited and co-authored by his son, Eric. On the one hand, it is seen as an abstract attempt1 to achieve what could not, in McLuhanâs view, be achieved in this way: the root problem of phenomenology that it is an all-out attempt by dialectic to
At the end of the second year of my doctoral program, the first and second year PhD students were asked to create a poster communicating their doctoral research. Since my own research centred largely on aesthetics, form, and perception as framed by the media scholarship of Marshall McLuhan, the natural choice for me was to